The Spanish Holocaust

The Spanish holocaust · ELPAÍS.com in English. Review of Paul Preston’s seminal work
Clemency was not a word that Captain Manuel Díaz Criado understood. During his four months in charge of security in the Andalusian capital of Seville following the capture of the city in July 1936 by the forces of General Francisco Franco, he launched a reign of terror, rounding up anybody suspected

Stalinist repression in Barcelona in 1937

A short letter from an Amercian member of the POUM describing the Stalinist repression in Barcelona in 1937

http://orwell.ru/a_life/Spanish_War/english/e_harry

Dear Marty:

The P.O.U.M. has been suppressed. Its paper and plant, all institutions and buildings seized. All occupants arrested. Most of the leaders including Nin have been jailed.

Every foreigner not a Stalinist is suspect and scores and scores have been arrested.

Hundreds arrests take place. The streets bustle with armed assault guards and a Hitlerite tenor prevails.

All prisoners are held incommunicado; a gigantic frame-up is being concocted. The charge: Criminal political conspiracy with the German and Italian fascists.

I’ve been running around like a hunted rat. Detectives have appeared at my hotel. Fortunately, the clerk speaks English and gave me warning. …

The CNT film industry

Interesting piece on the CNT film industry during the Spanish Civil War

Collectivized Creativity: The Rediscovered Films of the CNT | Film International

It was in August 1936 that the SUEP decided to create a ‘Committee of Cinema Economy’ in order to define the goals and decide on the administration of the amusement industry within the revolutionary movement. Early in 1937, SIE Films (‘Union of the amusement industry’) was created, and it was under its label that most of the CNT films appeared. As Prost observes in his documentary: ‘Right from July 1936, the anarchists decided to work within this essential dimension of the culture industry that is the cinema’. The film industry was therefore collectivized by the CNT, and its members produced and directed documentaries, newsreels and fiction films, all of which are anchored in the events of the war and revolution. They made no less than 200 documentaries and eight fiction films.

Was Gerda Taro murdered?

http://forward.com/workspace/assets/images/articles/Gerda_Taro-Anonymous.jpg

Was Gerda Taro murdered by Stalinists? This article in the New Statesman by Robin Stummer, based on an interview with Willie Brandt,  thinks so.

Gerda Taro was a fearless, pioneering chronicler of the Spanish Civil War. Robin Stummer uncovers evidence to suggest that her unflinching pictures led to her murder. Read

However….

In an interview with the Spanish daily El País, a nephew of a Republican soldier at the Battle of Brunete explained that she had died in an accident. According to the eye-witness account, she had been run over by a reversing tank and she died from her wounds in El Goloso English hospital a few hours later. Wikipedia

Books about Gerda Taro

Gerda Taro
(photography guide)

Gerda Taro (19101937) was the first woman photojournalist to photograph in the heat of battle. Taro was the lover and photographic partner of famed photojournalist Robert Capa and, as his manager, is often credited for launching Capas career. She and Capa covered much of the Spanish Civil War side by side. Taro was killed in July 1937, while photographing a crucial battle near Madrid. ICP holds what is by far the worlds largest collection of Taros work, including approximately 200 prints as well as original negatives. Organized chronologically, this exhibition will include vintage and modern prints, and magazine layouts using Taros work. The exhibition will be accompanied by a catalogue, the first major collection of Taros work ever published.

Out of the Shadows: A Life of Gerda Taro (biography, I really want to read this soon)

“Gerda Taro was a fearless, pioneering chronicler of the Spanish Civil War… Taro was the first female war photographer. She created some of the most moving studies ever made of people in conflict.” –‘New Statesman’